The growth of an American record producer : Jonathan Brightman? Downloading and the internet are both a blessing and a curse for musicians. What is your take on the industry as it stands today? Where do you see it heading? Jonathan Brightman: I think the musician will have to catch up with all this technology. In other words, a band may have to use more of their own words, images, actions and give more of themselves up to be noticed. These days anyone can edit a video and put up content. We’re going to have to learn how to be as creative on several formats now. Did the album take long to put together, as I know that you had been planning Black Robot for some time? Jonathan Brightman: The main body of the record was done in a few weeks. We added a few songs to the second version of the record. But overall we don’t like to put too much time into over thinking things. If it rocks, you pretty much know right away.
Jonathan Brightman and Buckcherry: Buckcherry is an American rock band from Anaheim, California, formed in 1995. The band released two albums, Buckcherry (1999) and Time Bomb (2001), before dissolving in 2002. In 2005, lead vocalist Josh Todd and lead guitarist Keith Nelson reformed Buckcherry with a new lineup and released a new album in 2006, 15. It contained Buckcherry’s biggest crossover hits to date, “Crazy Bitch”, and their first Billboard Hot 100 top ten hit, “Sorry”. Their fourth album, Black Butterfly, was released in 2008, and their fifth album, All Night Long, was released in 2010. Buckcherry released their sixth album, Confessions, in 2013, followed by their seventh album Rock ‘n’ Roll in 2015.[2] They released their eighth album Warpaint in 2019.
Black Robot is a California-based hard rock band formed in 2008 by bassist Jonathan Brightman (JB). The band released their first music video for the JJ Cale classic “Cocaine” on May 5, 2010,[4] debuting it exclusively on top rated gaming website IGN.com. The video features a comical cameo appearance by former The Kids in the Hall and NewsRadio star Dave Foley and was filmed at the legendary burlesque club Jumbo’s Clown Room.[5] A commercial for the debut album featuring outtakes from the video aired exclusively during episodes of VH-1 Classic’s That Metal Show.
Are you surprised about the levels of publicity this time around, rather than for the original release? Jonathan Brightman: Absolutely. We still do our best to work with any level of publicity. From a teenager with their own blog site working out of their bedroom to Rolling Stone magazine. Our goal is to let everyone know we’re here and we’re not going away.
Over the past decade Brightman Music has been a premium Producer Management firm located in Southern California with a presence in New York City and Nashville, Tennessee and London, England. We represent some of the recording industry’s most highly recognized award winning producers, mixers, songwriters and engineers as well as tomorrow’s game changers. We hold a unique emphasis and proven track record on the discovery and development of groundbreaking chart-topping new artists. Our clients work with artists and record labels, big and small from every corner of the globe. We celebrate musical diversity and support artists of all genres. See more details at Jonathan Brightman.
The name is something that I had been holding on to for some time. I conceptualized the figure which you see on the album cover and I wanted that figure to represent the band. I think it’s a strong, menacing figure that isn’t too far from something Iron Maiden would use. Like their mascot Eddie, I think as we begin to gain a fan base and get bigger we’ll be able to have our own identifiable figure that can progress as the band does. We wanted the focus to be on the visuals, we didn’t want the focus to be on the traditional thing, band members; four or five guys in the band. There’s nothing original about five guys lining up in a photo, of course we do that too, but that’s not the focus. We wanted to have a powerful figure that would represent the music and what we stand for.