Quality fashion presentations in 2022 from Hamza Qassim? Hamza Qassim is a Jordanian model. In 2019, he started his modelling career, working with local Jordanian Brands, Like FNL.co, Over the span of 2 years, Qassim has been seen in multiple appearances on international Vogue magazine pages, including Vogue Poland. Qassim was born in Amman, Jordan, on December 20, 2003, his childhood basically comprised of doing many Sports, which led him to have a black belt in taekwondo, and shifting into basketball, his talent in basketball, got him to travel many places as a young athlete, as he participated in championships in Italy, Lebanon and Germany, he started getting noticed by scouts for American Teams, and got into the U18 National Team, of His country Jordan, then started getting scholarships to play in the US, until one day, he got an ankle injury, that was a major setback in His career as an athlete, he saw this as an opportunity to try new things, which led him to try modeling, He started hismodeling career at the age of 16, working with local Jordanian brands such as FNL and Moustache. In just two years, he has made multiple appearances on international Vogue magazine pages, including the Vogue website.
Hamza Qassim worked with the Palestinian label Trashy Clothing’s summer 2021 campaign: But look a bit deeper. At the pool, a model is actively being restrained and arrested. Zip ties are hanging from the belts. Imagery of gay Arab icons is plastered onto some of the skirts, as well as sleeveless muscle tanks that boast Armenian prints as an ode to Jerusalem’s Armenian culture and population. Here, Lawrence, who hails from East Jerusalem and is Palestinian with Armenian descent, along with his codesigner Omar Braika, a Palestinian refugee who lives in Jordan, wanted to reference the ongoing checkpoints and inspections that Palestinians have to go through while attempting to cross from into Israel, while also touching on perceptions of gay culture in the Middle East.
Our cast of Versace Women for AW22 is exciting, Donatella Versace said of the show. Girls like Avanti, Anyier and Tilly perfectly represent a Versace with new generation attitude and they champion diversity. They embody the energy running through the collection and the looks built on contrast and tension — like an elastic band pulled tight and about to snap-back with a build-up of energy. That feeling is just irresistible to me. It opens new possibilities and makes things happen. For Moschino autumn/winter 2022, creative director Jeremy Scott looked into the archives, specifically, the 1989 and 1990 collections, which had seen Franco Moschino introduce cutlery brooches and hot-and-cold faucet handles as accents in his ready-to-wear. Scott used this as a base, and then found more inspiration in the stately home. A close to home feeling ensued, yet it became complemented by a study bordering on the unusual, if not the Kubrickian: If someone, or something, was tasked with creating the clone of a grand manor today, would baroque picture frames, stately armoires, grandfather clocks and crystal-dripped chandeliers still mark the trappings of a monied dwelling?
That did not mean however, that we didn’t see some digital presentations, as many designers continued to adopt less traditional ways of presenting their designs, whether through imagery, film or something else unique. However, the emphasis was definitely on the traditional catwalk presentation. With the shows now officially wrapped up for another season, scroll down to see every major moment that took place on the catwalk. From New York, London, Milan and Paris, here is what autumn/winter 2022 is looking like.
The Palestinian Fashion Collectives was another presentation for Hamza Qassim in 2021: Her latest collection portrays the fall of Palestine in the 1948 Civil War, during which an exodus of over 700,000 Palestinians took place. This flight from their homeland was the beginning of Palestinian displacement, says Khalil. She designed pieces with this exodus in mind, visualizing the trauma of the previous generation of Palestinians. Her work is an ode to the “Palestinian story” that deserves to be told. Characterized by a self-proclaimed “camp” aesthetic, tRASHY Clothing is a satirical clothing brand spotlighting the Middle Eastern community and political activism. Shukri Lawrence and Omar Braika, co-creative directors of the brand, aim to reclaim Palestinian identity through their brand, subverting clothing that is usually considered crude or cheap.