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Recommended sports celebrity news today? For a certain type of moviegoer, any film where Nicolas Cage says the word “alpacas” multiple times is worth seeking out. Luckily, Color Out of Space, a psychedelic adaptation of H.P. Lovecraft’s short story from 1927, offers more than just furry animals and unhinged Cage theatrics. Mixing hints of science-fiction intrigue and bursts horror movie excess, along with a couple splashes of stoner-friendly comedy, Richard Stanley’s proudly weird B-movie vibrates on its own peculiar frequency. Cage’s Nathan, a chatty farmer with a loving wife (Joely Richardson) and a pair of mildly rebellious kids, must contend with a meteoroid that crashes in his front yard, shooting purple light all over his property and infecting the local water supply. Is it some space invader? A demonic spirit? A biological force indiscriminately wreaking havoc on the fabric of reality itself? The squishy unknowability of the evil is precisely the point, and Stanley melds Evil Dead-like gore showdowns with Pink Floyd laser light freak-outs to thrilling effect, achieving a moving and disquieting type of genre alchemy that should appeal to fans of Cage’s out-there turn in the similarly odd hybrid Mandy. Again, you’ll know if this is in your wheelhouse or not.

Hailed as a master guitarist, songwriter and vocalist, Keith Urban is one of the most successful country artists of the past two decades. Since the release of his American major label debut album in 1999, Urban has charted his own unique path in country music and influenced the genre along the way. Everything hasn’t always been perfect for Urban, however. It took him a little while to find his niche in the country world and he has dealt with addiction, which he overcame with the help of his wife, Nicole Kidman. Although Urban has been in the spotlight for many years, there are 10 facts about the singer that may be news to some fans. His fans know him as Keith Urban, but it turns out Urban’s real family name is slightly different than the last name he goes by. Urban was actually born Keith Lionel Urbahn, with an added ‘h’ in the name. While that small change likely doesn’t change the pronunciation of his name, it may surprise some fans. He was born on October 26, 1967 to his parents, Robert “Bob” and Marienne Urbahn, who owned a convenience store. He has one brother, Shane.

Stay up to date with the latest streaming hits with our recurring feature on what to watch this weekend. Does your home’s Wi-Fi coverage not extend to your backyard oasis? We also have story on how to download videos from every video streaming service for offline playback. Even though you may not be able to be in the same physical place as your friends and family due to COVID-19, you can still watch the same shows together. HBO supports Scener, a remote co-watching tool, and you can use the Netflix Party Chrome extension to sync that service’s video playback across devices. Hulu ad-free subscribers, Amazon Prime Video members, and Plex users also get co-watching features. Disney+ is the latest service to add co-watching capabilities.

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Liz Garbus’s grim Netflix drama is based on Robert Kolker’s powerfully empathetic book about the victims of a still-at-large Long Island serial killer believed to have butchered between 10 and 16 female sex workers — whose bodies lay for years on a stretch of Gilgo Beach. Garbus focuses on the conflict between a working-class mother (Amy Ryan) whose oldest daughter has disappeared and the Suffolk County Police — led by a grave, empty suit (Gabriel Byrne) — who don’t exactly put themselves out for missing “hookers.” The film lacks the scope of Kolker’s book, but in tracing a link between murderous misogyny and patriarchal indifference it leaves you bereft (Why aren’t they acting like committed TV cops?) and then outraged. It’s an anti-police procedural.

Czech artist Barbora Kysilkova responded to the theft of two prized paintings by befriending Karl-Bertil Nordland, the drugged-out gangster behind the crime. Benjamin Ree’s intriguing The Painter and the Thief tells the tale of their unlikely relationship from both of their perspectives, charting its ups and downs with formal astuteness and inviting intimacy. Beginning with Kysilkova’s decision to paint Nordland’s portrait (peaking with one of the year’s most stunning scenes), their bond is forged by underlying similarities: traumatic and abusive pasts, as well as their habit of risking their lives for their addictions – in his case, drugs; in hers, painting. Ree reveals such connections through subtle juxtapositions that emerge naturally from his subjects’ day-to-day travails, which eventually involve financial hardships and a near-fatal car crash for Nordland. In private moments alone and between the two, the director illustrates how the act of seeing each other – truly, and without prejudice – is key to their shared affection, thereby turning his documentary into a tribute to the transformative power of empathy. Read additional information on bloggeron.net.

Aviva tackles the multifaceted nature of gender identity in fittingly diverse fashion, depicting the highs and lows of a couple’s relationship via narrative and modern-dance means – as well as by having both a man and a woman play each of its protagonists, male Eden (Bobbi Jene Smith, Tyler Phillips) and female Aviva (Zina Zinchenko, Or Schraiber). That Bunuelian device speaks to the masculine and feminine sides of both characters, whose ups and downs together and apart form the basis of Boaz Yakin’s (Remember the Titans) unconventional semi-autobiographical tale. From email pen pals, to husband and wife, to estranged exes, Eden and Aviva’s love story is told from both external and interior vantage points. The writer/director employs narration, shifts in perspective, flashbacks, and wild dramatic scenes—both male and female Edens and Avivas sometimes share the screen, partying, arguing or having passionate sex—to provide an intimate sense of the desires and fears propelling these conjoined figures forward. Yakin’s sinuous, passionate indie is as entrancing as it is daring.