TV music licensing tips? If you have collaborated on a track with another writer, and you each own 50%, the music supervisor has to clear the publishing rights for both you and your co-writer, and whoever owns the master rights. It’s because of this that, today in sync, all the rights (both sides master & publishing) are commonly controlled by one entity. This could be an individual, a label or publisher, or a sync agent. This is referred to as one-stop ( the Supervisor only has to make one stop when clearing tracks. The more people that are involved with this process, the trickier it tends to be… Once you’ve ‘cleared’, your agent will send you the license or quote request, and you can sign off! Once the show airs you’ll be paid an advance fee, commonly known as a ‘sync fee’. It’s only after this that you can collect royalties as well through your Performing Rights Organisation (PRS for Music, and PPL in the UK. ASCAP, BMI and SESAC in the US )!
I’m not saying you should change your style of writing just to get licensing deals, but if what you’re really after is a career where your songs are being played on TV, film, video games, and commercials, you have to at least be aware of the music you’re making and how it fits into those categories. A little extra tip — make an instrumental version of your most popular songs. Sometimes, you’ll be told your sound is great but the lyrics aren’t working. If you have an instrumental version that they can use as is or to throw in a voiceover, that’ll really help your chances of your song being chosen.
I earn monthly revenue from my Content ID. What is the benefit of turning it off to license my song? On average youtube monetization for 1000 youtube views ranges from 0.5 to 2 USD based on the location of viewers and the target audience. The numbers vary a lot, but most channels get 0.5 USD per 1000 views. It takes a significant amount of views to earn a substantially consistent monetary return. Essentially your music is working harder as opposed to working smarter. In comparison, our musicians are compensated at a more competitive rate for less work. Our payout for one of our most basic licenses pays at a rate that is 8.4% higher in comparison. Read even more details on music licensing for you-tubers.
Rhythm Couture artists questions and answers: When did you start in the music industry, and what type of music do you create? My name is Yeya. I was born in Massachusetts, and I moved to Los Angeles 3 years ago to pursue music. I have a background in musical theatre, where I learned to sing, but I started writing my own music after I graduated high school in 2014. Then in 2018, I began taking production classes and learning how to use Ableton. I love to create pop, EDM, R&B and rap. I don’t really think about a genre when I begin production on a song, I just create something I love and choose the label later. This results in a lot of tracks that blur the genre line and take my favorite aspects from each type of music. What upcoming projects are you working on, and any last words for the Rhythm Couture audience? I’m currently working on my EP, Monarch. We’re releasing each song one at a time, and I’m really amped up for this project! Also, if you’re curious about me or my music, check me out on any streaming platform and follow on IG @Yeyamusic. Thanks!
RhythmCouture Recording Studios: two locations based in New York and Vermont. We proffer expertise in music licensing and musical solutions across all multimedia platforms. Kyle Hunter and Robert Ronci, Co-Owners, have paired their formidable musical repertoires and talent affiliations from around the globe to bring a distinctive differentiation to the music product placement space. Our range of clients include Calvin Klein, Les Mills, The New York Times, Vans, Forever 21, Marie Claire + more. See more information at https://www.rhythmcouture.com/.