High quality movies celebrity latest news right now? In short stories like The Lottery and novels like The Haunting of Hill House, Shirley Jackson conjured unease, tension, and queasy strangeness that made them difficult to put down. Fittingly, Shirley, an adaptation of a novel by Susan Scarf Merrell, examines a highly pressurized moment in the author’s life that makes for occasionally nerve-rattling viewing. As played by Elisabeth Moss, Jackson can be temperamental, brilliant, and cruel, especially to Rose (Odessa Young) and Fred (Logan Lerman), the newlywed couple that move into the paper-strewn house she shares with her controlling professor husband (Michael Stuhlbarg). Where Decker’s previous exploration of the creative process, the dizzying Madeline’s Madeline, took an often nonlinear, combustible approach, Shirley retains some of the stuffy mechanics of the writerly biopic, particularly in the scenes of Jackson typing away at what will become her novel Hangsaman. (That book, which was partially inspired by the real-life disappearance of college student Paula Jean Welden, was written earlier in Jackson’s life than the movie portrays.) But Moss’s mischievous performance, the subtle interplay between the two women, and the feeling that the movie could tilt over the edge into chaos, chasing darker impulses and rolling around in the mud with Decker’s roaming camera, keeps it from falling into many of the traps set by the often worshipful “great artist” micro-genre.
The couple enjoyed a date night with a difference in May when they went to an ice hockey game together. Both the actress and country music star shared an image of themselves holding hands and watching the game dressed in matching yellow Nashville Predators t-shirts. Nicole and Keith recently returned to their home in America with their two daughters, Sunday and Faith, after several months in Australia. While they were there, Nicole filmed her upcoming project, Nine Perfect Strangers, which she stars in alongside many other major names such as Melissa McCarthy, Luke Evans and Regina Hall.
Stay up to date with the latest streaming hits with our recurring feature on what to watch this weekend. Does your home’s Wi-Fi coverage not extend to your backyard oasis? We also have story on how to download videos from every video streaming service for offline playback. Even though you may not be able to be in the same physical place as your friends and family due to COVID-19, you can still watch the same shows together. HBO supports Scener, a remote co-watching tool, and you can use the Netflix Party Chrome extension to sync that service’s video playback across devices. Hulu ad-free subscribers, Amazon Prime Video members, and Plex users also get co-watching features. Disney+ is the latest service to add co-watching capabilities.
If you are a sports lover then you must have heard the name of tennis players Serena Williams. Serena Williams is an American professional tennis player and former world’s no. 1 in women’s singles tennis. She was born on 26 September 1981 in Saginaw, Michigan, United States. Serena Williams’s real name is Serena Jameka Williams and she has nicknames Meka and Momma Smash. Serena Williams had won many awards in her career. Serena Williams has won 23 Grand Slam Singles Titles and many Olympic Gold Medals. People are a fan of Serena Williams Tennis game as well as they like Serena Williams Hot pictures especially Serena Williams Bikini Pictures. Find additional information on Serena Williams Biography. Here in this post we have tried to share all the information about Serena Williams like Serena Williams Age, Body Measurement, Height and Weight, Award, Career, Family and more.
The second feature to go out under the aegis of Barack and Michelle Obama as part of their Higher Ground series for Netflix, it’s an inspirational civil-rights documentary that sounds as if it’s going to be Good for You rather than good but turns out to be both. Directed by Nicole Newnham and Jim LeBrecht (who was born with spina bifida and appears onscreen), the film begins in 1971 in the Catskills’ Camp Jened, where teen and 20-something “cripples” (a word then used) are elated by the freedom to shed their defenses and feel at home. Their camp experience lays the foundation for a seminal demonstration in which disabled people (among them the commanding Judy Heumann) occupy HEW headquarters for more than a week. It’s both a profile of people determined not to be invisible — merely getting to the point where they could make themselves seen required a psychological revolution — and a rousing celebration of the activist counterculture that inspired and sustained them.
Historical changes often have humble beginnings, as was the case with the American Disabilities Act (ADA), whose origin is Camp Jened, a 1970s summer getaway for disabled men and women in New York’s Catskill mountains. James LeBrecht and Nicole Newnham’s documentary is the story of that quietly revolutionary locale, where disrespected and marginalized handicapped kids were finally given an opportunity to simply be themselves, free from the judgement of those not like them. What it instilled in them was a sense of self-worth, as well as indignation at the lesser-than treatment they received from society. Led by the heroic Judy Heumann and many of her fellow Jened alums, a civil rights movement was born, resulting in the famous San Francisco sit-in to compel U.S. Secretary of Health, Education and Wellness Joseph Califano to sign Section 504 of 1973’s Rehabilitation Act, and later, the ADA. Intermingling copious footage of Camp Jened and the movement it produced with heartfelt interviews with some of its tale’s prime players, Crip Camp is a moving example of people fighting tooth-and-nail for the equality and respect they deserve – and, in the process, transforming the world. Find additional details on https://www.bloggeron.net/.
Gavin O’Conner (Miracle, Warrior) is modern cinema’s preeminent sports-drama director, a status he maintains with The Way Back, a conventional but deeply felt story about addiction, anger and the rough road of rehabilitation. Reuniting O’Conner with his The Accountant star, the film concerns Jack Cunningham (Ben Affleck), a former high-school basketball phenom who, in the wake of multiple familial losses, gets through his construction-work days and wayward nights with a perpetual drink in hand. By means of a job coaching his Catholic alma matter’s struggling team, Jack is blessed with a shot at salvation, turning around the fortunes of his players and, by extension, his own life. Subdued and melancholy, Jack’s journey is a familiar one, and yet O’Conner and Affleck – the latter turning in an expertly modulated, interior turn – shrewdly locate their protagonist’s alcoholism as the self-destructive byproduct of regret, resentment, fury and hopelessness. Also generating pathos from agonized father-son traumas, it’s a male weepy that, courtesy of its well-calibrated empathy, earns its melodramatic tears.