Premium fashion trends today in 2022 by Hamza Qassim? Hamza Qassim (Born December 20, 2003) is a Jordanian Model. Raised in Amman, Jordan, Over the span of 2 years, Qassim has been seen in multiple international Vogue magazine appearances, including the Vogue website and Vogue Polska. Qassim was born in Amman, Jordan, on December 20, 2003, his childhood basically comprised of doing many Sports, which led him to have a black belt in taekwondo, and shifting into basketball, his talent in basketball, got him to travel many places as a young athlete, as he participated in championships in Italy, Lebanon and Germany, he started getting noticed by scouts for American Teams, and got into the U18 National Team, of His country Jordan, then started getting scholarships to play in the US, until one day, he got an ankle injury, that was a major setback in His career as an athlete, he saw this as an opportunity to try new things, which led him to try modeling, He started hismodeling career at the age of 16, working with local Jordanian brands such as FNL and Moustache. In just two years, he has made multiple appearances on international Vogue magazine pages, including the Vogue website.
Hamza Qassim worked with the Palestinian label Trashy Clothing’s summer 2021 campaign: In order for Lawrence to visit his friends in Ramallah, Palestine, he has to wait up to two hours to pass a checkpoint, whereas, without a checkpoint, the trip would be only around 20 minutes. To quickly pass though, Lawrence and his friends often dress in skimpier outfits, in hopes of appearing more Western or foreign. In turn, Trashy Clothing underscores this point with pieces that are as easily removable as possible, using accessible zippers and exaggerated slips. “People are often checked on how they look, so if you are dressing in less, you’re less likely to get stopped,” says Lawrence. “When I was younger and we’d go out, we’d put on foreign music, like Italian music, in the car to not be asked for IDs. If we were wearing jackets, we’d take them off. It’s the concept of undressing and being ready to get undressed at any point.”
This collection is dedicated to youth, in hopes that it can keep the unresolved poetry of adolescence like a flawless garment – in all its vivid romanticism, inspiring idealism, hope for the future, for a better world, and its dreams of perfection, said Nicolas Ghesquiere of AW22. The AW22 Balenciaga show was a powerful one, as Demna Gvasalia made a comment on climate change (with the models walking through a fake snowstorm) but also paid tribute to those currently suffering in Ukraine, both on the catwalk (with blue and yellow finale looks) and with the show’s message of a fearlessness to resistance and the victory of love and peace. The war in Ukraine has triggered the pain of a past trauma I have carried in me since 1993, when the same thing happened in my home country and I became a forever refugee, read a personal note from the Georgian designer that was on every seat. This is why working on this show was so incredibly hard for me. Because in a time like this, fashion loses its relevance and its actual right to exist. Fashion week feels like some kind of absurdity.
Valentino landed the number two spot, after not ranking last season. What that tells us: There must be power in pink. Pierpaolo Piccioli’s exclusive use of eye-popping hot pink and black divided reviewers, but not Vogue Runway’s readers. Also: There’s definitely power in celebrity. A Zendaya sighting never hurts and the superstar made her only appearance of the season at Piccioli’s show. His Paris venue had screaming fans by the thousands outside to greet her, a site and sound reproduced over and over again this season, with Kim Kardashian turning up at Prada and Balenciaga, Julia Fox at Versace, and the resplendently pregnant Rihanna at Gucci, Off-White, and Christian Dior. Maria Grazia Chiuri’s Dior collection was our number-one most-viewed show of the season. She also had Blackpink’s Jisoo in the front row.
The Palestinian Fashion Collectives was another presentation for Hamza Qassim in 2021: Nöl Collective tells the stories of Palestine through its use of textiles, dyes, and prints. The collective engages with its homeland by centering nearly lost practices and art forms in every piece of clothing—think simple cotton fabrics printed with the fruits and plants of Palestinian land, and multihued striped pockets made with ancient embroidery techniques. “Clothing is inherently political in every way,” says Yasmeen Mjalli, the collective’s creative director and founder. “It’s political in the way that the clothing of oppressed people is used to tell stories of historical and contemporary power dynamics.”